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Just specs and occasionally short remarks. For more details, read the manual.

CPU load is net load (without Osc and envelope). The Fx had to simultaneously process 16 notes on Keygroup level.
CPU load on Program/Layer level Fx is mostly negligible (and marked yellow); I added it regardless.

Parameters which cause audible interruptions or crackling when modulated are marked red.

Delay

Name

Controls / Notes

CPU load

Analog Tape Delay

Delay: Delay time (40ms to 2sec), FB (0-100%), Spread (0-200%); Distortion: Dist.Mode (Tape - Tape/Tube - Analog), Trash(0-100%); Mix: Dry(0-100%), Wet(0-100%)

1.2

Dual Delay

Delay: Delay time (1ms to 5sec), L/R (L x0.10 - Same - R x0.10); FB (0-100%), L/R (L x0.10 - Same - R x0.10);

Peak EQ: Freq (20Hz to 20kHz), Gain (-20 to +20dB); Q (0.10 to 10.00) - Filter in Feedback loop

Modulation: Depth (0 cents to 20 cents), Rate (0.10 to 10.00 Hz), Offset (0-100 %)

Filters: LowCut (20Hz to 4kHz), HighCut (1 to 20kHz) - wet signal filter

Rotation: Input (-100 to +100%), Output (-100 to 100%), Fb (-180 to +180) - phase of input, output, feedback signal Width: input and output stereo spread

Mix: Dry/Wet (0-100%)

0.3

Tape Echo

Echo: Rate (100 to 300%), Intensity (0-200%) - Rate: use this for Delay time modulation; Intensity = feedback

Mode: 4 Repeat modes, 7 Reverb Echo modes, Reverb Only mode, Stop button, Delay times I, II, III (50 to 500 ms), Reverb Gain (0to100%)

Filter: Bass (-10 to +10), Treble (-10 to +10) - wet signal filter

Output: Mix (0-100%):

2.3

Track delay

Delay (0-5 sec)

0

Legacy: Fx Delay

Delay Time (10ms to 10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Speed (0 to 20Hz), Mix (0-100%) - Speed = Auto-pan rate

0.1

Legacy: Fat Delay

Delay Time (10ms to 10sec), Feedback (0-100%), Diffusion (0-100%),  Cutoff (0-127Lp, Off, 0-127 Hp), Mix (0-100%)

0.4

Legacy: PingPong Delay

Delay Time (10ms to 10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Spread (-100% to +100%), Mix (0-100%)

0.2

Legacy: Simple Delay

Delay Time (10ms to 10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Mix (0-100%)

0.2

Legacy: Stereo Delay

Left Delay Time (0-10sec), Right Delay Time (0-10sec), Feedback (0-100%), Cutoff (0-127Lp, Off, 0-127 Hp), Mix (0-100%)

0.2

Reverb  #top

Name

Controls / Notes

CPU load

Diffusion

Diffusion (0-100%), Diffusion Start (100 μs to 20 ms), Mix (0-100%)

1.5

iReverb

Impulse: drag'n'drop an audio file here; editing functions on right click; Reverb: Time (10-100%), PreDelay (0-100ms), Width (-100 to 100%);

Damp: Low Damp (-100 to 100%), Hi Damp (-100 to 100%); Mix: Dry (0-100%), Wet (0-100%)

0.3

Spark Reverb

Room: Size (4-50m), Shape (0-100%), Predelay (0-100ms); Modulation: Depth (0-20cents), Rate (x0.25-x4.00), Mode (Lo-Fi, Dark, Bright)

Decay: Lo Decay (x0.1.00 to x10.00), Low Crossover (10Hz-1kHz), Decay Lo-Cut switch, Decay Hi-Cut switch, Hi Crossover ( 2-20kHz), Hi Decay (x0.1.00 to x10.00)

Diffusion: OnOff switch, Start (1-10ms), Amount (0-100%); Output: Mix (0-100%), Width (0-100%), Rolloff (2-20kHz), Freeze button

0.2

Legacy: Gate reverb

PreDelay (10 ms-2 sec), Decay Time (0-10 sec), Gate Time (50-1000 ms), High Damp (0-100%), Mix (0-100%) - PreDelay modulation gives funny artefacts

0.6

Legacy: Plain Reverb

Decay Time (0 to 10sec), High Damp (0-100 %), Mix (0-100%)

0.4

Legacy: Predelay Reverb

PreDelay (10 ms-2 sec), Decay Time (0-10 sec), High Damp (0-100%), Mix (0-100%) - PreDelay modulation gives interesting artefacts

0.5

Legacy: Simple Reverb

Cutoff (0-127 Lp, Off, 0-127 Hp); Decay Time (0-10 sec); High Damp (0-100 %); Mix (0-100 %)

0.4

Modulation  

Name

Controls / Notes

CPU load

Analog Chorus

Speed (0.10 to 10 Hz), Width (0 to 6.00), Intensity (0 to 6.00), Transient Enhancement (0 to 10.00)

0.5

Analog Flanger

Speed (0.10 to 10 Hz), Width (0 to 6.00), Intensity (0 to 6.00), Transient Enhancement (0 to 10.00)

0.5

Ensemble 505

Mode (I to III), Tone (3-10 kHz), Mix (0-100%) - Roland RS-505 String Ensemble Chorus recreation

0.4

Flanger

Speed (0.01 to 10 Hz), Delay Time (0 to 10 sec), Depth (0-100%), Feedback (0-100%), Mix (0-100%) - Speed can be synced to tempo

0.1

Frequency Shifter

Pre Hp: Pre Hp on/off, Cutoff (20Hz to 20kHz); Shift: Mirror on/off, Coarse (-10 to +10 kHz), Fine (-200 to +200 Hz), Spread (-200 to +200 Hz);

xOver: on/off; Mix: Wet Gain (-12 to +123 dB), Mix (0-100%)

21.1

Phasor

Order: Notches (1-12); Contour: MinFrq (20Hz to 20kHz), Max Frq (20Hz to 20 kHz), Fb (-99 to 99%);

Lfo: Speed (0.1 to 10 Hz), Shape (Triangle, Sine, S&H, Random); Mix: Spread (0-100%), Depth (0-100%) - Lfo can be synced to tempo

0.6

Rotary

Cabinet: Model (122, 145, 30, 722, 760, 950, 16), Drive (0-100%), Output Gain (-∞ to 12dB),

Speed (Chorale, Brake, Tremolo), Speed Chorale (0.1 to 3 Hz), Speed Tremolo (3 to 10 Hz), Horn Vol. (-∞ to 0dB), Drum Vol. (-∞ to 0dB);

Mics: Distance (0.1 to 2 m), Width (-180 to 180), Angle (-100 to 100), Skew (-100 to 100)

Back Panel:

Settings: Delay comp. (on/off), Reflection (0-100 %), Spherical Damping (0-100 %), Order (0 to 3), Preemphasis (0-100 %), Radius (0-100 %)

Box Reverb: Power (on, off), Level (0-100 %), Type (Open, Closed);

Horn: Acc. Time (100ms to 10sec), Dec. Time (100ms to 10sec), Filter (Off, Horn A, B, C), Directivity (Horn, Omni, Cardio, SoftCardio, unipolar, DrumCardio, Drum)

Drum: Acc.Time (100ms to 10sec), Dec. Time (100ms to 10sec), Filter (Off, Drum A), Dir. (Horn, Omni, Cardio, SoftCardio, unipolar, DrumCardio, Drum, DrumCardio2, 3)

2

Thorus

Chorus: Voices (2-8), Speed (0.10 to 1 Hz), Depth (1 to 40 cents); Mode (Standard, Wide)

Color: Low Gain (0 to 200%), Crossover (20Hz to 5 kHz), Edge (-100 to 100%), Tone (2 to 22.05 kHz); Output: Mix (0 to 100%)

0.3

Legacy: Chorus

Speed (0.01 to 10 Hz), DelayTime (0 to 1 sec), Depth (0 to100 %), Mix (0-100 %)  Speed can be synced to tempo

0.3

Legacy: Cross Phaser

Speed (0 to 10 Hz), Min Freq (100 Hz to 20 kHz), max Freq  (100 Hz to 20 kHz), Depth (0 to 100%), Feedback (0 to 100%) Speed can be synced to tempo

0,2

Legacy: Phaser

Speed (0 to 10 Hz), Min Freq (100 Hz to 20 kHz), max Freq  (100 Hz to 20 kHz), Depth (0 to 100%), Feedback (0 to 100%)  Speed can be synced to tempo

0,2

Legacy: Rotary

Cabinet: Model (122, 145, 30, 722, 760, 950, 16), Radius (0 to 100%), (Drive (0-100%),

Speed (Chorale, Brake, Tremolo), Speed Chorale (0.1 to 3 Hz), Speed Tremolo (3 to 10 Hz),

Horn Filter (Off, Horn A, Horn B), Horn Vol. (-∞ to 0dB), Drum Vol. (-∞ to 0dB), Order (0 to 3), Reflection (0 to 100%), Box reverb (off, on)

Mics: Mic Distance (0 to 10 m), Mic  Angle (0 to 180)

1,7

Filter  

Name

Controls / Notes

CPU load

Analog Filter

Mode (Lp, Hp, Bp), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %)

3.5

Biquad Filter

Mode (Lp, Hp, Bp, Notch), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %) Width (0 to 6.00), Intensity (0 to 6.00), Transient Enhancement (0

0.3

Brickwall Filter

Cutoff (20 Hz to 20 kHz), Type (Lp. Hp), Slope (24,48,96 dB), Sofz Bypass (off, on) - Cpu load depends on filter slope 24/48/96 dB

1.5/3/6

Comb Filter

Mode (Plus, Minus), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %)

0.3

Crossover Filter

Low-Mid Freq (20 Hz to 2 kHz), Mid-High Freq (2 kHz to 20 kHz), Type (Lp, Bp, Hp)

1.6

Digital Filter

Mode (Lp, Bp, Hp, Notch, LowSh, HiSh, Peak), Slope (6, 12, 18, 24, 36, 48, 72, 96 dB), Cutoff Freq. (10 Hz to 22 kHz), Key Tracking (0 to 100 %),

Spread (-48 to +48 semi), Resonance (0.02 to 28.28), Gain (-30 to +30 dB), Bandwith (0.01 to10 Oct) Cpu load depends on filter type and slope Lp12/Lp96/Bp96 dB

1.6/4.6/

12.1

Formant Crusher

Vowel: Formant (-100 to +100%), Bite (0 to 100 %), Q (10 to 20); Shape (A,E,I,O, U, /u/, /uh/, /ae/, /e/, /I/, /iy/), Morph (0 to 100%); Mix (0 to 100 %)

1.4

Lowpass 12

Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %)

0.6

Loepass 24

Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %)

1.2

One Pole

Cutoff (20 Hz to 20 kHz), Key Tracking (0 to 100 %), Mode (Lp, Hp)

0,2

Phasor Filter

Order: Order (1 to 12); Contour: Freq (20 Hz to 20 kHz), Feedback (-99 to +99 %); Mix: Spread (-12 to +12 semitones), Depth (0 to 100 %)

1,8

Rez Filter

Mode (Lp, Hp, Bp), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %)

1,3

SVF

Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %), Mode (Lp, Bp, Hp, Peak, Notch), Drive Mode (Linear, Soft)

2

Sallen - Key Filter

Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Key Tracking (0 to 100 %), Symmetry (-100 to 100%), Range (0 to 15.00), Output (soft, hard)

27,2

UVI Filter

Cutoff (0 to 127 LPF, Off, 0 to 127 HPF), Resonance (0 to 1.00), Mapping Mode (Standard, Legacy1, Legacy2) - !High cutoff mod values might cause clipping!

0,8

Vowel Filter

Morph (0 to 100%), Q (10.00 to 20.00), Num Formants (1 to 4), Formant (-100 to 100%),

Mode (LP2, BP2, HP2), Filter A (A,E,I,O, U, /u/, /uh/, /ae/, /e/, /I/, /iy/), Filter B (A,E,I,O, U, /u/, /uh/, /ae/, /e/, /I/, /iy/)

3,5

WahWah

Wah (0 to 100%), Drive (0 to 100%), Model (Default, Cry, CryB, CryC, Vox, VoxM, CryBassHigh), Master (-∞ to + 20dB)

3,6

Xpander Filter

Mode: 37 filter types (Lp1, Lp2, Lp3, Lp4, Hp1, Hp2, Hp3, Hp4, Bp2, Bp4, N2, N4, Ap3, A3L1, Pk2, Pk4, L3H1, L3H3, L1H3, H2L1, L2H1, N2L1, N2L2, N2H2, H1N2L1, NP1, NP4, N2P2T, N2L2T, N2H2T, N2H1L1T, P2N2T, L2N2T, H2N2T, H1L1N2T, N2P2N2T, N2N2AT, N2N2BT),

Filter: Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %), Thickness (0 to 100%), Key Tracking (0 to 100 %), Algorithm (I, II), Oversampling (off, 2x),

Overdrive: Type (Soft Sat, Hard Clip, Linear), Amount (-20.00 dB to +20.00 dB) - CpuLoad1: Alg1, no OS, SoftSat; CpuLoad2, Alg2, OS, LinearSat

5.2

10.5

Legacy: Auto Wah

Gain (-18,06 to 6.02 dB), Sensitivity (0.10 to 0.90), Q (0 to 1.00), Drive ((0 to 1.00)

0,9

Legacy: FX Filter

Low Freq (0 to 127, off), Low Q (0 to 1.00), Figh Freq (off, 0 to 127), High Q (0 to 1.00)

1,5

Legacy: Talkbox

Filter Mode (Lp, Hp, Bp), Vowel Mode (A, E, I, O, U), Cutoff (20 Hz to 20 kHz), Resonance (0 to 100 %)

5,3

Equalizer  

Name

Controls / Notes

CPU load

3 Band EQ

Gain Low (-24 dB to +24 dB), Low/Mid Freq (20 Hz to 1 kHz), Gain MId (-24 dB to +24 dB), Mid/High Freq (2 to 20 kHz), Gain High (-24 dB to +24 dB)

0.7

Big Pi Tone

Tone (0.00 to 10.00), Gain (0 to 10.00 dB)

0.7

Convolver

Impulse: drag'n'drop an audio file here; editing functions on right click; Mix: Dry (0 to 100%), Wet (0 to 100%) - Cpu load depends on imported impulse file size


Digital EQ

Mode (L/R, M/S), Power (off, on), Stereo (L, L+R, R), Type (Lp, Bp, Hp, Notch, LowSh, HiSh, Peak), Slope (6, 12, 18, 24, 36, 48, 72, 96 dB), Cutoff Frq. (10Hz to 22kHz),

Gain (-30 to +30 dB; Shelve + Peak only ), Q (0.2 to 28.28), Bandwith (Bp, Notch, Peak only),  

Transpose (-10.00 to +10.00 Oct), Key Tracking (0 to 100 %), Gain (-20.00 to +30.00 dB), Scale (-200.00 to +200.00 dB)

Cpu load depends on EQ type, slope and no. of Bands. Lp, Hp, LoSh, HiSh = low cpu, Bp, Notch, Peak=high cpu.

Examples for Lp 6dB, Lp 96dB, Peak 6dB, Peak 96dB (1 Band); Peak 96dB (2 Bands) >

  0.9   6.3   9.8   12.4    24.4

Tilt

Frequency (20 Hz to 20 kHz), Tilt (-6.00 dB to +6.00 dB)

0.7

Tone Stack

Model (26 amplifier heads), Bass (0 to 100%), Mid (0 to 100%), Treble (0 to 100%), Gain (0 to 100%)

0.8

Legacy: 2 Band EQ

Low Freq (20 Hz to 1.20 kHz), Low Gain (-24 dB to +24 dB), High Freq (4 kHz to 20 kHz), High Gain (-24 dB to +24 dB)

0,6

Legacy: 3 Band EQ

Low Gain (-24 dB to +24 dB), Mid Freq (120 Hz to 12 kHz), Mid Gain (-24 dB to +24 dB), Mid Q (0.00 to 1.00), High Gain (-24 dB to +24 dB)

1

Legacy: 8 Band EQ

Hp: On/Off, Freq (10 Hz to 20 kHz);

Low Shelf: On/Off, Freq (10 Hz to 20 kHz),  Gain (-30 dB to +20 dB), Q (0.20 to12.00);

Peak1: On/Off, Freq (10 Hz to 20 kHz),  Gain (-30 dB to +20 dB), Q (0.20 to12.00); Peak2: On/Off, Freq (10 Hz to 20 kHz),  Gain (-30 dB to +20 dB), Q (0.20 to12.00)

Peak3: On/Off, Freq (10 Hz to 20 kHz),  Gain (-30 dB to +20 dB), Q (0.20 to12.00); Peak4: On/Off, Freq (10 Hz to 20 kHz),  Gain (-30 dB to +20 dB), Q (0.20 to12.00)

High Shelf: On/Off, Freq (10 Hz to 20 kHz),  Gain (-30 dB to +20 dB), Q (0.20 to12.00);

Lp: On/Off, Freq (10 Hz to 20 kHz)

3,4

Amp/Stereo  

Name

Controls / Notes

CPU load

Autopan

Speed (0 Hz to 20 Hz), Depth (0 to 100%), Mode (Linear, Equal Power, Balance, Rotate)  Speed can be synced to tempo

0.2

Gain

Volume (-∞ to 12 dB)

0.1

Gain Matrix

- the number of Matrix channels on Program and Layer level depends on [Preferences/Default Audio Config] settings.

- the number of Matrix channels on Keygroup level depends on Osc type (M= all mono OSCs; L/R = AnalogStack, Drum, Organ)

0

Tremolo

Freq (0 to 20 Hz), Depth (0 to 100 %)  Freq can be synced to tempo

0.2

UVI Wide

Width (-100 to 100 %), Delay (-15.0 to 15.0 ms), Extra Width Freq ((2 kHz to 20 kHz), Extra Width Gain (-15 dB to +15 dB)

0.4

Legacy: Rotary Simple

Speed (0 Hz to 20 Hz), Depth (1 to 100 %), Mic Distance (1.10 to 20), Mix (0 to 100 %)

0.2

Legacy: Rotary Speaker

Low Speed (0 Hz to 20 Hz), Hi Speed (0 Hz to 20 Hz), Depth (1 to 100 %), Mic Distance (1.10 to 20), Cross Frequency (20 Hz to 10 kHz)

0,3

Drive/Distortion  

Name

Controls / Notes

CPU load

Analog Crunch

Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Overdrive (0 to 10), Trash (0 to 100 %), Mix (0 to 100 %), Output Gain (-40 to +10 dB)

0.3 (no OS); 30 (16xOS)

Diode Clipper

Clipper: Drive (0 to 30 dB), Asymmetry (0 to 100%); Contour: Tone (100 Hz to 20 kHz), HighPass (1 Hz to 20 kHz); Output: Gain (-40 to 10 dB)

0.7

Drive

Mode (Analog, Mild, Strong), Amount (0 to 100 %), Oversampling (None, 2x, 4x, 8x, 16x)

0 (no OS); 25 (16xOS)

Exciter

Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Amount (0 to 100 %), Mix (0 to 100 %), Mode (Tape, Tube)

Output Gain (-40 to +10 dB)   - Tube mode consumes more Cpu power than Tape mode

 0.8 (no OS); 37 (16xOS)

Fuzz

Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Overdrive (0 to 10), Trash (0 to 100%), Mix (0 to 100 %), Output Gain (-40 to +10 dB)

1.7 (no OS); 52 (16xOS)

Guitar Boxes

Mix (0 to 100 %), Separation (-30 to 30 ms), Spread (0 to 100%), Model (15 guitar speaker cabinet models), Mic Type (Dynamic, Condenser, Ribbon)

0.6

Overdrive

Input Gain (-30 to 20 dB), Oversampling (None, 2x, 4x, 8x, 16x), Overdrive (0 to 10), Trash (0 to 100%), Mix (0 to 100 %), Output Gain (-40 to +10 dB)

0.1 (no OS); 24 (16xOS)

Wave Shaper

Input Gain (-40 to 40 dB), Pre freq (20 Hz to 22 kHz),

Wave Shape (Sine, Fold-Back, tanH, aTan, Asyn exp, Hypersine, Rectifier, Half-Wave, Damped Sar, Asym, Exp, Diode Rectifier)

Oversampling (None, 2x, 4x, 8x, 16x), Amount (0 to 100 %), Knee (-10 to +10), OutputGain (-40 to +40 dB), PostFreq (2 Hz to 22 kHz), Mix (0to100 %)

- the most Cpu demanding Falcon Fx, one of the best sounding though

sin (noOS): 1.8

sin (16xOS): 53,8

tan (noOS): 12

tan (16xOS): 218

Legacy: Double Drive

Pre Drive (0 to 100 %), HighFreq (Off, 1 to 127 HPF), LowFreq (0 to 127 LPF, Off), Post Drive (0 to 100 %), Gain (-∞ to 0 dB)

1,7

Legacy: UVI Drive

Drive (0 to 100 %), Cutoff (0 to 127 LPF, Off, 0 to 127 HPF), Q (0 to 1.00), Gain (-∞ to 0 dB

1,7

Dynamic  

Name

Controls / Notes

CPU load

3 Band Compressor

Per Band:  Ratio (1 to 30.00), Attack (0 to 500 ms), Release (0 ms to 5 sec), Gain (-30 to +30 dB), Mix (0 to 100%);

Master: Gain In (-30 to +30 dB), Gain Out (-30 to +30 dB), Mix (0 to 100%)

7.9

3 Band Limiter

Threshold Low (-20 to 0 dB), Margin Low (-5 to 0 dB), Release Low (10 to 500 ms); Low/Mid Freq (20 Hz to 2 kHz);

Threshold Mid (-20 to 0 dB), Margin Mid (-5 to 0 dB), Release Mid (10 to 500 ms); Mid/High Freq (20 Hz to 20 kHz);

Threshold High (-20 to 0 dB), Margin High (-5 to 0 dB), Release High (10 to 500 ms)

16.1

Compressor Expander

Comp Threshold (-130 zo 0 dB), Comp Ratio (1 to 30), Comp Attack (0 to 500 ms), Comp Release (0 ms to 5 sec)

Gate Threshold (-130 zo 0 dB), Gate Ratio (1 to 30), Gate Attack (0 to 500 ms), Gate Release (0 ms to 5 sec)

Auto Makeup (off, on), makeUp Gain (-30 to +30 dB), Mix (0 to 100 %) - Input and Reduction meter don't work on Keygroup level

3.1

Gate

Threshold (-∞ to 0 dB), Attack (100 μs to 100 ms), Release (10 ms to 1 sec)

0.4

Maximizer

Threshold (-40 to 0 dB), Ceiling (-20 to 0 dB), Lookahead (1 to 20 ms), Release (100 μs to 1 sec)

4.4

Studio Limiter

Threshold (-20 to 0 dB), Margin (-5 to 0 dB), Release (10 to 500 ms), Mix (0 to 100 %)

4.5

Legacy: Compressor

Ratio (0.00 to 1.00), Threshold (-∞ to 0 dB), Attack (100 μs to 100 ms), Release (10 ms to 1 sec), MakeUp (0 zo 24.08 dB), Mix (0 to 100 %)

0,4

Legacy: Limiter

Gain (-12.04 to +12.04 dB), Threshold (-20 to 0 dB), Release (0 to 1.0 sec), Ceiling (-20 to 0 dB), Mix (0 to 100 %)

0,4

Legacy: UVI Mastering

Low Vol. (-12 to +6 dB), Low/Mid Freq (20 Hz to 2 kHz), Medium Vol. (-12 to +6 dB), Mid/High Freq (2 kHz to 20 kHz), High Vol. (-12 to +6 dB)

Comp Attack (0 μs to 500 ms), Comp Threshold (-20 to 0 dB), Limiter Threshold (-20 to 0 dB), Tube Amount (0 to 15)

12,8

Analysis  

Name

Controls / Notes

CPU load

Phase Meter

Refresh (20 to 100 ms), Amp Mode (Linear, dB), Decay (0 to 1000 ms) (optional) external window which can be resized

0.1

Spectrum Analyzer

FFT size (1024 to 32768), Window type (Hanning, Blackman-Harris, Blackman), Max dB (-200 dB to +40 dB), dB Range (10 to 200 dB), Refresh (40 to 200 ms)

X scale (Linear, Log, Semitones, 3rd Octave), Draw Type (Line, Bin, Bands)   (optional) external window which can be resized

0.1

Tuner

Freq Min (C-2 to G8), Freq Max (C-2 to G8), Refresh (40 to 200 ms)  (optional) external window which can be resized

0.1

Miscellaneous  

Name

Controls / Notes

CPU load

Redux

Resampling: Freq (200 Hz to 44.1 kHz), Jitter (0 to 100 %), Res. Type (Decimate, Blocker), Bits (1.00 to 32.00), Dither (0 to 200 %), Quantize Law (Linear, MuLaw)

Antialiasing (off,on); Filter: Freq (20 Hz to 20 kHz), Res (0 to 100 %), Mode (Lp, Bp, Hp), Position (off, Pre, Post); Output: Mix (0 to 100 %)

Cpu load depends mainly on Resampling Frequency and Antialiasing settings.

200Hz 8.7

44.1kHz 205

UVinyl

Vinyl: Year (1930 to 2000), RPM (33,45,78), Wear (0 to 100 %); Noise: Electrical (-30 dB to + 20 dB), Mechanical (-30 dB to + 20 dB);

Dust: Gain (-30 dB to + 20 dB), Amount (0 to 100 %); Scratch: Gain (-60 dB to + 40 dB), Amount (0 to 100 %); Output (Mono off, on)

6.3

Legacy: Beat Repeat

Active (off, on), Time (1 ms to 4.00 sec resp. 32x to 1/64tri), Mix (0 to 100 %)
Time can be synced to tempo; remote control of Active button results in weird Time values

3.1

Legacy: Redux

Resampling: Freq (200 Hz to 44.1 kHz), Jitter (0 to 100 %), Res. Type (Decimate, Blocker), Bits (1.00 to 32.00), Dither (0 to 200 %), Quantize Law (Linear, MuLaw)

Antialiasing (off,on); Filter: Freq (20 Hz to 20 kHz), Res (0 to 100 %), Mode (Lp, Bp, Hp), Filter Position (off, Pre, Post); Output: Mix (0 to 100 %)

Cpu load is much lower than the new version. Measured Cpu load is with Antialiasing @ 44.1 kHz sampling rate.

19.2

Legacy: Ring Modulation

Freq (0.10 Hz to 2.0 kHz), Mix (0 to 100 %)

0.2

Legacy: Robotizer

Freq (0.10 Hz to 2.0 kHz), Depth (0 to 100 %), FM (0.25 Hz to 20 kHz), Cutoff (0 to 127 LPF, 0to 127 HPF), Mix (0 to 100 %)

1.4

Legacy: UVI Destructor

Bit Size (1 to 24 Bits), Sample Rate (2,00 to 48,00 kHz), Drive (0 to 100 %), Cutoff (0 to 127 LPF, 0to 127 HPF), Mix (0 to 100 %)

1,6